Source: Roger Ebert What's most frustrating about the representation of the internet in films and on TV is how incurious it is. Generally being portrayed as a vapid outlet for teenagers who are desperate for attention, social media, that is pretty much ubiquitous at this point and almost essential in staying up to date on socio-political issues, is villainised in a way that only comes across as insecure from the point of view of the writers. And I don't want to be ageist, but it does seem like the fear-mongering attitudes of someone too detached from young people's lives to even try to understand what it's function is in them. We're All Going To The World's Fair (2021) is refreshing, not just because of its transgressive use of form, but because it was so obviously made by someone who spent hours on the internet as a teenager, like myself and many other people now in their twenties. Jane Schoenbrun's bizarre coming of age story follows Casey as she plays an