I close my eyes to conjure up something But it's just a faint taste in my mouth - Dum Dum Girls, Coming Down The reappraisal economy, as Jacob Lambert in an article for The Week puts it, is a recent phenomenon that has made it incredibly difficult to distinguish between a genuine admiration for an unfairly maligned piece of work and fodder for the dreaded think-piece machine, which seems to exist to garner clicks from polarising headlines. What is the function of trying to find clarity and meaning in work that has been firmly established as terrible, especially when the people who made it turn out to have caused significant harm to others ? The Canyons (2013) is a hard film to like. It has a consistent yellow and green tinge, like stagnant pool water left to stew on the hottest day of the year. Everything is over-lit and cheap looking, empty and un-erotic . It's dry, garish and much too close to the sun. The dust settled on the cinema seats is hot to the tou...
If you're reading this, it means that my second poetry chapbook, MY MOTHER CALLED ME A HERMIT, is being released today. Unlike my first collection, which felt like a distillation of a depressed person soaking their brain in the internet during a moment of worldwide crises, these poems are very recent. I spent the last year of my life writing, editing and compiling them together. They are, in a sense, the most present version of my writing, which is a sentence I am typing out right now in this moment, a full 3 weeks before I intend to release it. I've thought a lot about the creative process as labour over the past couple of years. Living by myself, working full time and trying to squeeze anything artful from the few hours I have before I go to bed are all elements in this process, but more than that, they cost me time. Any time I don't spend writing something meaningful and cogent feels wasted. I feel the past on my back constantly and even doing something successfully brin...